Passage from The Favourite Game — Leonard Cohen

Whenever they could they played their great game, the Soldier and the Whore. They played it in whatever room they could. He was on leave from the front and she was a whore of DeBullion Street.

Knock, knock, the door opened slowly.

They shook hands and he tickled her palm with his forefinger.

Thus they participated in that mysterious activity the accuracies of which the adults keep so coyly hidden with French words, with Yiddish words, with spelled-out words; that veiled ritual about which night-club comedians construct their humour; that unapproachable knowledge which grownups guard to guarantee their authority.

Their game forbade talking dirty or roughhouse. They had no knowledge of the sordid aspect of brothels, and who knows if there is one? They thought of them as some sort of pleasure palace, places denied them as arbitrarily as Montreal movie theatres.

Whores were ideal women just as soldiers were ideal men.

“Pay me now?”

“Here’s all my money, beautiful baby.”

Lightly

It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
— Aldous Huxley, Island

Journal entry

 

I had you

 

As long as there is love, there will be grief

The grief of time passing, of life moving on half-finished, of empty spaces that were once bursting with the laughter and energy of people we loved.
As long as there is love there will be grief because grief is love's natural continuation.
It shows up in the aisles of stores we once frequented, in the whiff of cologne we get two years after they've been gone.

Grief is a giant neon sign, protruding through everything, pointing everywhere, broadcasting loudly, "LOVE WAS HERE". In the finer print, quietly, "LOVE STILL IS"

— Heidi Priebe

A pimp has his private grief and misery too

Supposing the timid little rabbit does spend fifty francs of an evening while waiting for his Lucienne? Supposing he does get hungry and buy a sandwich and a glass of beer, or stop and chat with somebody else’s trollop? You think he ought to be weary of that round night after night? You think it ought to weigh on him, oppress him, bore him to death? You don’t think that a pimp is inhuman, I hope? A pimp has his private grief and misery too, don’t you forget. Perhaps he would like nothing better than to stand on the corner every night with a pair of white dogs and watch them piddle. Perhaps he would like it if, when he opened the door, he would see her there reading the Paris-Soir, her eyes already a little heavy with sleep. Perhaps it isn’t so wonderful, when he bends over his Lucienne, to taste another man’s breath. Better maybe to have only three francs in your pocket and a pair of white dogs that piddle on the corner than to taste those bruised lips. Bet you, when she squeezes him tight, when she begs for that little package of love which only he knows how to deliver, bet you he fights like a thousand devils to pump it up, to wipe out that regiment that has marched between her legs. Maybe when he takes her body and practices a new tune, maybe it isn’t all passion and curiosity with him, but a fight in the dark, a fight single-handed against the army that rushed the gates, the army that walked over her, trampled her, that left her with such a devouring hunger that not even a Rudolph Valentino could appease. When I listen to the reproaches that are leveled against a girl like Lucienne, when I hear her being denigrated or despised because she is cold and mercenary, because she is too mechanical, or because she’s in too great a hurry, or because this or because that, I say to myself, hold on there bozo, not so fast! Remember that you’re far back in the procession; remember that a whole army corps has laid siege to her, that she’s been laid waste, plundered and pillaged. I say to myself, listen, bozo, don’t begrudge the fifty francs you hand her because you know her pimp is pissing it away in the Faubourg Montmartre. It’s her money and her pimp. It’s blood money. It’s money that’ll never be taken out of circulation because there’s nothing in the Banque de France to redeem it with.—Tropic of Cancer, Henry Miller

Love

Love is not thought. Love is not desire, love is not pleasure, love is not the movement of images, and as long as you have images about another, there is no love. And we ask, is it possible to live a life without a single image? Then you have a relationship with each other. As it is, it is like two parallel lines never meeting, except sexually. A man goes off to the office, ambitious, greedy, envious, trying to achieve a position in the business world, in the religious world, in the professional world, and the modern lady also goes off to the office, and they meet in their house to breed children. And then the whole problem of responsibility, problem of education, of total indifference, comes. It does not matter then what your children are, what happens to them. You want them to be like you—safely married, with a house, a job, etc. Right? This is our life, daily life, and it is really a sorrowful life. — Jiddu Krishnamurti