Flesh That Is Shamed — Andrade

Flesh that fears to grow old calls on the Devil
And asks him for consolation. The Devil listens
To the flesh's thousand forms of past energy
The flesh smiles again, in the vain hope
Of feeling forever that which was the grace
Of love in flower, in flowing blessedness.
But hellish gifts are a new suffering
To the shamed defenceless flesh
And nothing is satisfied and a fragrance scatters
From flowers withered in horror

José — Andrade

What now, José?
The party’s over,
the lights are off,
the crowd’s gone,
the night’s gone cold,
what now, José?
what now, you?
you without a name,
who mocks the others,
you who write poetry
who love, protest?
what now, José?

You have no wife,
you have no speech
you have no affection,
you can’t drink,
you can’t smoke,
you can’t even spit,
the night’s gone cold,
the day didn’t come,
the tram didn’t come,
laughter didn’t come
utopia didn’t come
and everything ended
and everything fled
and everything rotted
what now, José?

what now, José?
Your sweet words,
your instance of fever,
your feasting and fasting,
your library,
your gold mine,
your glass suit,
your incoherence,
your hate—what now?

Key in hand
you want to open the door,
but no door exists;
you want to die in the sea,
but the sea has dried;
you want to go to Minas
but Minas is no longer there.
José, what now?

If you screamed,
if you moaned,
if you played
a Viennese waltz,
if you slept,
if you tired,
if you died…
But you don’t die,
you’re stubborn, José!

Alone in the dark
like a wild animal,
without tradition,
without a naked wall
to lean against,
without a black horse
that flees galloping,
you march, José!
José, where to?

A famous quotation on the nature of evil

If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?
During the life of any heart this line keeps changing place; sometimes it is squeezed one way by exuberant evil and sometimes it shifts to allow enough space for good to flourish. One and the same human being is, at various ages, under various circumstances, a totally different human being. At times he is close to being a devil, at times to sainthood. But his name doesn't change, and to that name we ascribe the whole lot, good and evil.
Socrates taught us: "Know thyself."
Confronted by the pit into which we are about to toss those who have done us harm, we halt, stricken dumb: it is after all only because of the way things worked out that they were the executioners and we weren't…
From good to evil is one quaver, says the proverb.
And correspondingly, from evil to good.

— Aleksandr Solzhenitsyn

...they really won't save us. --

To write, I meditated, must be an act devoid of will. The word, like the deep ocean current, has to float to the surface of its own impulse. A child has no need to write, he is innocent. A man writes to throw off the poison which has accumulated because of his false way of life. He is trying to recapture his innocence, yet all he succeeds in doing (by writing) is to inoculate the world with a virus of his disillusionment. No man would set a word down on paper if he had the courage to live out what he believed in. His inspiration is deflected at the source. If it is a world of truth, beauty and magic that he desires to create, why does he put millions of words between himself and the reality of that world? Why does he defer action—unless it be that, like other men, what he really desires is power, fame, success. 'Books are human actions in death,' said Balzac. Yet, having perceived the truth, he deliberately surrendered the angel to the demon which possessed him.

— from Sexus, Henry Miller

The Fox and the Grapes

One afternoon a fox was walking through the forest and spotted a bunch of grapes hanging from over a lofty branch. "Just the thing to quench my thirst," quoth he. Taking a few steps back, the fox jumped and just missed the hanging grapes. Again the fox took a few paces back and tried to reach them but still failed. Finally, giving up, the fox turned up his nose and said, "They're probably sour anyway," and proceeded to walk away.

—Aesop